Showing posts with label list. Show all posts
Showing posts with label list. Show all posts

2.08.2016

How to Write a Freelancer's Resume or CV

It has been nearly four years since I began posting here at Life of a Freelance Dancer. You would think that, at a certain point, I would run out of fresh, new topics to discuss. Strangely enough, I often find the opposite. Looking through my previous posts, I was shocked to find that I have never talked about writing a resume as a freelancer. If you have been waiting for this post, your wait is over.

The resume/CV (Curriculum Vitae) of a performing artist generally differs from one that might be constructed for work in most other fields. Many resumes are headed with either an objective, what you are looking for as a job seeker, or a general overview of your experience. Most dancers leave these items off of the top of their resume for a few reasons. First, it allows them to save space for their performing experience. Secondly, the objective of most dancers is quite clear. "I am auditioning to dance for you." If you are seeking a job working in administration, I think these details are pertinent to construct an appropriate resume. But if you are looking to join a company or perform in a professional production, I would suggest leaving these items off the top.

Keeping in mind the above information, where should you begin? Start by developing your header. The top of your resume should display your name as the largest item, usually in large, bold print. Following this should be your most personal information underneath your name in a smaller font, but still bold-faced. Be sure to include your contact information (phone number, address, & email) for the employer if they need additional information or want to offer you work. For freelancers that are seeking work beyond their local freelancing scene, I usually suggest that you add where you are based out of versus your physical address. For instance, I live in New York City and Philadelphia at the moment, so my resume states "Based out of New York City & Philadelphia." With my name centered and these items evenly spaced below, I finish off my header with a link to my personal website, which holds a wealth of additional information for any potential employer who wants a more detailed look at my experience. Additionally, include some of your physical details that are expected from applying dancers; like height, weight, hair color, eye color, and birth date.

The next section of your resume should consist of any long-term experience you have had. In bold-faced print and somewhere around size 16 font, write the words "Professional Employment" or "Professional Experience." Below that, you will go back to a regular, 12 point font. If you have held a contract with any companies or performed in an ongoing production (longer than a few months), be sure to post these in chronological order. My general experience is listed by date in general chunks of time. For instance, I danced with Pacific Northwest Ballet from 2004 - 2011 before transitioning into freelance work from 2011 - present. It isn't necessary to add the months that you worked with these companies. Just be sure to put your experience down starting with the most recent position you have held. For example, I place that I work as a freelance artist first, then PNB second. Avoid putting down company and performance experience that you have performed short-term as a freelancer, as we will include that later. Your general position should be stated as "Freelance Artist" or "Principal Guest Artist" (if you have performed as one) for the period of time you have been performing this type of work.

Next on the list, you will want to write down the roles that you have performed. A friend recently asked me for some advice on developing their resume relating to performing Corps roles more recently than Leading roles. My simple solve to this is to spread your experience out between multiple sections. Of course, if you have limited experience, you can keep this all in one section. But if you have been performing as a professional for a period of time, you often have to remove experience from your CV to keep it all fitting on one page.

For this section, begin again with a bold-faced, size 16 font with the title of "Leading Roles." By doing this, whether you have performed a leading role recently or not, this experience is at the top of your resume. Below this title, I list the name of the ballet, the role I danced, the company that I danced with, and the year that I performed this role. You have a few options of how to list these roles, but I generally put them in alphabetical order by choreographer. I also tend to use acronyms to list the companies where I performed roles, as it saves space and makes it easier to keep all of the information on one line. Throughout my resume, I will post the acronym for a company in parenthesis in my general experience area. For instance, as you can see below, under "Professional Experience" I wrote Pacific Northwest Ballet (PNB). That way the employer can reference back to the organization if they aren't familiar with the acronym.

If you wish to follow up your Leading Role experience with roles that you have performed that were either Featured, Corps, or Chorus roles, then you can follow your leading roles experience with this below. Format this section in the same way that you formatted above. At a certain point, my experience became too vast to include all of this information on my resume. So, instead, I chose to include two lists. One includes choreographers I have worked with where I originated roles (they were choreographed on me) and a separate section listing choreographers where I have danced Featured and Corps roles in their works. Beginning with the same type of header as I have executed for all of the above sections, I follow up next by evenly listing the names of all of the choreographers in alphabetical order. I also state the companies where I originated roles in works.

Following my performance experience, I finally include the list of organizations that I have worked with as a freelance dancer. I do this here because I generally worked with these organizations for shorter periods of times (usually a few days to a few months). Using the same header size and font as I have throughout, I follow up with the companies that I have freelanced with and the years that I worked with the companies. This is quite simple, evenly spaced, and neatly organized.

Finally, if you have enough space, you can include whatever you feel is best to sum up your experience. Some people choose to include quotes from printed reviews, while others leave information of references to contact. I chose to make a short list of accomplishments that I have achieved over the years and media that I have been featured in. It is really up to you to sum up your CV as you wish. If you feel that you are lacking in experience and can benefit from sharing reference information, by all means do this. If you feel that a Broadway audition may be interested in special skills that you have (acrobatics, gymnastics, etc.), put that here.

Generally, you should keep your resume down to one page. There are few instances as a performer where you should be providing potential employers with a resume beyond this. Try to print out your resume on paper that is higher quality than regular printer paper, but don't feel like you will be looked down upon if you can't manage that luxury. Today, many employers accept resumes via email or an upload button on a website. Be sure that you save your resume as a .PDF file. THIS IS A MUST!!!!! If you send your document in any other format, it is possible that there will be formatting issues when your information is uploaded. And if you are asking a company to take their precious time to look at your information, they will appreciate this. If they download your resume and it loses it's formatting, they are very unlikely to take the time to find a fix. This means that they won't read your resume and won't consider you for work.

There you have it! I have included an image of an old resume of mine below.  Please keep in mind that this is only a guideline for you to follow. Honestly, there is no perfect resume or CV. Each employer might have a different opinion on what they would like to see. Take this example that I have offered you and tweak it to work best for you. Happy Job Hunting!




12.25.2014

12 Reasons Dance is My Religion

For some reason, the holidays always put me in the mood to make lists. Best and worst lists of the past year, lists of things I'm thankful for, and lists of my hopes and wishes for the coming year. Well, I'm not going to resist that urge this Christmas. I am a Jew living in heavily Christian country, so I tend to love celebrating both holidays. And since Chanukkah is officially over on this here Christmas morning, I have decided to create a list in honor of the 12 days of Christmas. Since I am not really religious at all, and I appreciate celebrating all types of holidays, I have decided to create a list with a twist. With all of that said, I bestow upon you the 12 reasons dance is my religion.

1. Dance has been a part of my life since I was a very young age. When I was 2 years old, I kept running into my sister's dance class. After a few frustrating interruptions, the instructor of the class saw an opportunity. Instead of reprimanding the parent of the child, she invited me to stay in class if I could behave. And I did. From that young day of my life on, I have been immersed in the ways and the morals of dance.

This little boy couldn't stay out of his sister's dance class
2. Walking into a dance studio every day is like walking into a place of prayer. Every morning, I begin my morning ritual of plies, tendus, jetes, and beyond. Or, in a non-religious sense, plies are like my morning coffee and the rest of barre is like my breakfast.

3. Even my every day activities are ruled by dance. I think before anything that I do, "How will these activities affect my dancing." Exercise, risky activities (skiing, rollerskating, horseback riding, etc.), drinking with friends, sleep, etc.

Maria Chapman - So inspiring
4. Those people that I hold in highest esteem are my mentors and fellow colleagues that are professional dancers. I don't worship these people, per se, but I have more respect for them, their work ethic, and their inspiration than most anybody else.

R&J (Lucia Rogers) w/Fort Wayne Ballet (Photo: Jeffrey Crane)
5. When going through a difficult experience, I turn to dance to express myself, heal my wounds, and fill myself with joy.

6. While many religions learn the basis of their faith from ancient scripture, a great deal of learning is taught through oral tradition that has been passed on through the generations. Dance, like religion, is one of the last traditions that is almost completely passed on orally and ritually from generation to generation.

7. I give all my glory to my art!

8. No place on earth is more sacred than a stage or a studio.

9. Just like the holiday season brings families together in the name of religious events, ballet brings dancers together for something special every time they begin preparing for a performance. I have always felt a warm holiday-like bond by the end of a performance series.

Returning to Rochester City Ballet's Jessie Tretter for Nutcracker 2013 (Photo: Josephine Cardin)
10. I have an ongoing joke that I am going to create a religion called, "Exercism," or the religion of exercise. It would be a glorious religion! It makes you feel good, it treats your body and soul well, it inspires people to do good, and makes us all-around better people. Cheers to Exercism!!!! (I joke)

11. Just like there are multiple sects of religions, there are multiple sects of dance. Ballet has classical, neo-classical (Balanchine), and contemporary ballet. You can even break down these forms into smaller denominations; like Vaganova, Cecchetti, Bournonville, French school, Royal Academy of Dance, etc. Non-ballet sects have spanned from modern to post-modern, tap, jazz, contemporary, and beyond. While some followers of these sects of dance only hold values for their one form of dance, dancers display the most inspirational openness to joining and sharing in other forms of dance. In the spirit of collaboration, exploration, and growing one's idea of dance, most dancers are open to crossing into other belief systems of dance. If only we could experience this in religions across the world...

12. Even if I turned my back on dance, it will always be there waiting to accept me back with open arms.

Guesting in my home dance school's Nutcracker last year (Photo: Marla Kaine)
I'd like to wish all of my readers a happiest of holiday seasons!

8.24.2012

Things I've learned while freelancing thus far

I'm in a weird mood today and have really been itching to get some content out for my readers. Per my odd mood, instead of writing a regular run-of-the-mill blog, I am going to change it up and serve you with a BList, or Blog List (aren't I ingenious?). Today, I offer you a list of things I've learned while freelancing thus far. Ya know, since I still have so much more to learn and experience. Enjoy!

- Since I don't dance for any company full-time, I don't have the option of company class every morning. If I don't take class every day of the week, I am not going to get out of shape, lose all of the technique I've been working on since I was 2, or get fat.

- If I don't take class multiple times a week, I will get out of shape, find certain areas of my technique are faltering, lose strength, and possibly get fat.

- Just because you are offered to travel somewhere exotic, doesn't mean it is a great offer. For instance, I was offered to go to Hawaii to perform Nutcracker. I would fly the day before the shows and go straight from the airport to rehearsal. And I would fly out the day after the shows. Nothing like a half-day of travel into rehearsal, 6 shows, and then another half-day of travel without getting the glory of seeing this paradise.

- Sometimes it seems you are approaching an agreement with an employer. This doesn't mean you should get excited. It is not uncommon for all communication to suddenly cease and to never hear from said employer ever again.

- Getting to travel to dance around the world is exciting and really cool. Most people you interact with will think it is the most glorious thing ever. Though, sometimes you just want to sleep in your own bed, pet your cats, and spend time with your partner/lover/close friends/family/etc.

- It doesn't matter how small or under the radar most companies are, there are amazing dancers EVERYWHERE! Not just in the largest companies that receive the most press.

- Nobody should EVER be placed with a host family that doesn't have wireless internet. Just saying.

- Usually, at least half of the people that take advanced open classes probably belong in beginner open classes. Also, they have absolutely no spatial awareness. This can present a challenge when you are trying to keep in shape and challenge yourself as your own teacher.

- NEVER negotiate via skype or phone. Get it in writing (usually via email). Also, don't be afraid to make requests that you may feel are out of reach. If they are and the employer is in this negotiation in good faith, they will compromise or explain why they can't agree to certain terms.

10 degrees in Anchorage - I left coat in car to go clubbing
- Alaska isn't a scary place.  (I will be returning to dance with Alaska Dance Theatre for their Winter season this January - April).

- Leaving for a gig that is more than a month is a great reason to throw a party! Which means you get multiple going away parties a year!

-  It is alright if I take a contemporary class for my warm-up/technique class. I won't lose my ballet technique by supplementing other styles and I will expand my reach as an artist.

- Some people will ask you to do things for free. But others will compensate you like a rockstar. Show your appreciation when due. And be prepared to perform like said rockstar!

- You will have better access to footage/pictures of your career than you would ever have dancing for a unionized company.

- If you need something, you have to ask for it.

- New York is the easiest and hardest place to freelance. There are more gigs per capita, which are easily accessible, but most freelancers can't afford to live comfortably on dancing itself in Manhattan, let alone any other safe neighborhood in a different borough

- Some gigs will be horribly unprofessional. Try your best to complete your duties, but don't forget to respect and protect yourself. If you feel like conditions are unsafe, speak up. If you are not getting paid on time/correctly, make the employer very aware that this practice is not acceptable. Be sure to document all of these activities to protect yourself.

- Integrity is everything.

- The internet is your best friend. Along with Google. Go on the search engine, think of a place you want to visit, add the word ballet at the end, and unabashedly email. (I want to visit Atlanta and I love to dance. Google: Atlanta Ballet. Obviously, you will get Atlanta Ballet, but keep searching. Then, email these companies that you are available for work. Before you know it, you could be traveling to Atlanta to work).

- One of the most important tools of the trade are your freelancing friends. Not only can these friends pass work along to you if they are unavailable, but they know exactly what it is like to be a freelance dancer. Nothing beats the support and advice of a friend that has been through exactly what you may be going through.

- Most professional dancers are the same around the world. Amazingly talented and slightly insecure. No matter the front they put up, they really just want to be accepted. Also, nearly all pros really know how to have a good time.